5 Steps to Spot Fake D&G Sunglasses

So, you’re going to buy a new pair of D&G sunglasses or you have brought one at a good deal from an online store. But hold on! Are you sure those designer shades are authentic? Sure, you saved a lot of money but with the large availability of replicas and knockoffs, many unscrupulous dealers pass off these fakes as originals to the unsuspecting buyer and make huge profits. To ensure you’re getting your money’s worth, here are 5 simple steps which will help you spot fake D&G sunglasses:

Step 1 Is the seller trustworthy?

Before making your purchase, review the trust factor of the seller you’re going to buy from. Ask your friends, look up on the internet for customer reviews…if people are doubtful about the authenticity of their glasses then abstain from buying from such sources. It is always better to purchase your D&G shades from a known and trusted buyer.

Step 2 Check the package

Original D&G sunglasses always come with a branded case and certificate of authenticity. Also accompanying the accessory should be a cleaning cloth and an information booklet. If all these are not included with the package then the glasses are most probably knockoffs.

Step 3 Product research

It is essential to compare the purchased product with the one on the D&G website. The specifications like colors, materials etc should match with those on the company site. If there are any kinds of variation then the shades are replica models.

Step 4 Check the product code

Every branded sunglass pair from D&G has a unique product code associated with it. These codes are stamped on the inside arms of the sunglasses. If you’re going to wear the glasses and holding them in the front then you’ll clearly see the model number e.g. for D&G DD6019 shades, you’ll see D&G 6019 as the code. You will also see the numeric color code and the size code on the inside of the left frame. Also look for the CE mark which is a stamp required for confirmation that the product manufactured in Europe conforms to the European standards.

Step 5 Compare photos and beware of auction sites!

If you’re purchasing your D&G sunglasses online then make sure you ask the seller to show you photos of the exact model that you’re going to buy. No stock photos will do, because that is an obvious sign of fraud on part of the seller. You surely don’t want to end up with fakes. Another important point is to steer clear of any one-day auction sites which are selling D&G shades at throwaway prices. Even if the sunnies are second hand, no one will sell a branded pair at such low rates. Always buy from popular retail stores.

D&G sunglasses are extremely popular all over the world for their glamorous styles and designs, some good examples being the D&G DD 2192 and D&G DD 6019. You can surely buy only the best and original pairs by following some simple rules!

Introducing Marcasite Jewellery and Its History

Marcasite jewellery is often refers to silver jewellery decorated with Pyrite gemstones. Sterling Silver and marcasite have been proven to be the perfect march, because the dark coloration of marcasite and makes it blend in spectacularly without making it look like it was a cheap stone.

People, nowadays, often confuse the mineral marcasite with pyrite. The gemstone used in jewellery making is pyrite, however pyrite used as a gemstone is widely called as marcasite. The name marcasite in jewellery terminology stems from the Arabic word for Pyrite, Markaschatsa. In general, it is lighter and more brittle than pyrite, but it is never used as a gem in jewellery, because of its chemically unstable structure.

According to Archaeological record, the Incas are the first known civilisation to use marcasite jewellery. There are considerable amount of marcasite jewellery pieces found in Incan burial chambers throughout South America. There are also archaeology discoveries in ancient Greece of the use of marcasites in jewellery.

In the 1600’s, marcasite jewellery became increasingly popular due to the introducing of Sumptuary Laws which forbade the use of diamond by ordinary people but the most aristocratic. The law were later introduced to other parts of Europe, including England and France. Since marcasite is an excellent imitation of diamond, the injunctive gave a boost to its production in the Europe market. In the late 1700’s, the Swiss and Italians began to produce Marcasite for the European market.

In 18th and 19th century, silver jewellery with marcasite became very popular in Britain. The popularity reached its peak during the Queen Victoria’s reign, due to the Queen’s endearment to marcasite jewellery. She frequently wore beautiful marcasite jewellery I public as a substitute for diamonds. The lower cost of marcasite jewellery made it affordable to the masses. At the time, marcasites became the standard substitute to diamond. If it’s properly crafted, marcasites were as beautiful as diamonds.

Today, the jewellery with marcasite is as popular as ever. The combination of sterling silver and marcasite give the jewellery a special vintage look. The most popular marcasite designers are romantic Art nouveau styles and classic Art Deco styles. The most commonly seen cuttings are oval cut and trilliant cut. It’s no longer the poor relation of diamond.

Kaftan Dresses – Customs and Fashions

At its simplest, the kaftan dress is simply a type of long-sleeved, ankle-length robe or tunic that closes or buttons in the front. This simplicity, however, disguises the long and varied history of the kaftan and its dozens of styles and variations across many different cultures. In the last several decades, the kaftan has become increasingly popular in Western countries, primarily as a woman’s fashion. The kaftan dress appeals to all tastes because it is simple, adaptable and can add a touch of the traditional or the exotic into a wardrobe.

The classic kaftan typically has open, billowing sleeves and a high collar, though modern variations may have v-neck collars or other cuts. Some traditional versions have tighter, narrower sleeves, although this varies from region to region. Buttons or ties are found on the front of the garment from the neck to the waist, except on pull-over designs. A sash or a tunic is worn along the waist to give some shape to the otherwise freely-flowing tunic. The traditional design reaches down to the ankles, though modern versions may be shorter, and kaftan-inspired tunics are sometimes worn as shirts or blouses. A sweater, cloak or loose outer-jacket completes the traditional kaftan.

Perhaps the greatest virtue of the garment is its adaptability to different weather conditions. Loose kaftans made of lighter materials are perfect for hot climates, while heavier versions are appropriate for cooler conditions. The kaftan is loose enough to be worn over undergarments and flexible enough to be worn under heavy outerwear. It can be held close to the body at the waist or loosened for coolness; the buttons or ties can be kept buttoned to different heights based on temperature. The kaftan was and remains a kind of all-purpose, everyday garment for year-round wear in its countries of origin.

The kaftan’s traditional homeland stretches from North Africa to Central Asia, though it is generally believed to have originated in the Mesopotamian region, in or around present-day Iraq. Kaftan, therefore, is also considered as a form of women’s Islamic Clothing. In its original cultural context, the kaftan is either a unisex outfit or primarily a man’s item. The word “kaftan” itself is derived from the Persian language. Depending on the cultural context, kaftans may have been plain, homespun garments or ornate robes with impressive patterns and decorations. In certain kaftan-wearing cultures, decorative elements and accessories were used to indicate the wearer’s rank or status. Materials range from plain cotton to silk and beyond; in Morrocco, for example, women’s kaftans often appear with intricate lace decorations.

Kaftan dresses and garments can also be found outside of these regions. In parts of west Africa a kaftan-like pullover is common, and some southeast Asian cultures utilize a similar garment in batik fabric. The word itself also made its way into the Russian language, in which it refers to an old type of man’s suit rather than a loose tunic.

The kaftan made its way into the fashions of Europe and North America in the 1960s amid a growing general interest in Middle Eastern cultures. In the United States, the hippy subculture adopted the kaftan, and the dashiki, based on West African kaftan-style garments, gained popularity in the African-American community. Today, the kaftan dress has become a staple of women’s Islamic fashion, either in its original form or through kaftan-inspired designs.

The kaftan’s status as a versatile, all-purpose garment ensured its adoption by contemporary fashion. It can be worn long or short, tied or loose, and can be cut or worn to flatter any body-type. Kaftan-style garments are adaptable to any situation or lifestyle. Designers have produced tops in a kaftan style with billowing sleeves and v-necks for everyday wear. Full-length kaftans can be used as cover-ups for the beach or pool. Wearers are free to accessorize their kaftan dresses along traditional lines, for example with a sash, belt or outer-coat, or they may adapt it for their current wardrobe. The kaftan’s presence in diverse cultures across a wide geographic area is a testament to its versatility and usefulness.